During the first Indie Film Summit sponsored by the Film Development Council of the Philippines and the Cultural Center of the Philippines last year, the participants raised a common concern: There is a danger that, with the glut of independent producers, their films would cancel each other out, should they open in local theaters simultaneously.

Four alternative local movies open this week: Ralston Jover’s Bakal Boys, Raul Jorolan’s The Red Shoes: A Love Story, Jonison Fontanos’ Parisukat and Mark Shandii Bacolod’s Ben & Sam.

Fontanos had moved back the premiere of his film to give way to the Queer Love Film Fest which ran the week of Feb. 17. Unfortunately, Parisukat is now being pitted against another gay drama Ben & Sam.

Bacolod, whose film debuted at the Queer Love Fest last month, pointed out, “It’s important for us, gay filmmakers, to voice out our passions, beliefs, sentiments, even our desires.”

He noted that his film tackled discrimination. “It’s getting worse ...  in schools and in society in general. My film is about the hardships and consequences of coming out.”

But mainly, Bacolod said, his film is about “love.” He is presenting nonstereotypical gay characters. “I wanted to avoid clichés. There’s no male prostitution. No noisy, flamboyant  parlorista types.”

He noted his film tries to break free from the indie stereotype of grit and gloom as well. “It’s actually glossy, colorful and clean.”

Fontanos is presenting an important issue, violence against gays, in a very sexy package. His main protagonist is not the usual gay character, he said. “He’s a pansexual. He likes men, women, gays, callboys, chubby and lean people.” Biggest challenge was the “shoestring budget.”

Parisukat is the last film to be shown at the IndieSine, which will close temporarily.

Ellen Ongkeko-Marfil, chair of the Philippine Independent Filmmakers Multipurpose Cooperative which mounted the Queer Love Fest and managed IndieSine, acknowledged “there are many criticisms against gay films, [particularly] about craft and content.”

At the San Francisco Lesbian Gay Bisexual Transgender film fest in 2006, she learned that any community or festival should be open to all types of films—from serious, advocacy films to “politically incorrect” movies.

“We need to give everyone space,” she said, “for their voices to be heard and affirmed.” Bayani San Diego Jr.